Music

Alexei Lubimov (born 1944 as Алексе́й Бори́сович Люби́мов, Alexey Borisovich Lyubimov) is a Russian pianist, fortepianist and harpsichordist.
Lubimov studied at the Moscow Conservatory with Heinrich Neuhaus and Lev Naumov. After successes in several competitions, he gave the premieres in the Soviet Union of several pieces by composers such as Arnold Schoenberg, Karlheinz Stockhausen, Pierre Boulez and György Ligeti. His commitment to western music was criticised by the Soviet authorities and he was prevented from leaving the Soviet Union for several years, during which time he concentrated on working with period instruments.[3] He is a founder of the Moscow Baroque Quartet and the Moscow Chamber Academy (with Tatiana Grindenko) as well as the music festival “Alternativa”. Apart from giving solo recitals throughout the world and appearing with leading symphony orchestras, he works regularly with early music ensembles such as the Orchestra of the Age of Enlightenment.[3] Among his partners in chamber music are Andreas Staier, Natalia Gutman, Peter Schreier, Heinrich Schiff, Christian Tetzlaff, Gidon Kremer, Ivan Monighetti, and Wieland Kuijken.
In recent seasons he has given concerts with the London Philharmonic, City of Birmingham Symphony Orchestra, Russian National Orchestra in Moscow and the Tonkünstlerorchester. He toured with the Haydn Sinfonietta playing Mozart[5] and played Haydn with the Camerata Salzburg under Sir Roger Norrington in New York and gave performances of Scriabin’s Prometheus at the Salzburg Festival. In November 2010 he gave two recitals at Lincoln Center, returning in 2011 on tour with the Budapest Festival Orchestra conducted by Iván Fischer.
His recordings include piano duets with Andreas Staier on Teldec, the complete Mozart piano sonatas (on fortepiano) on Erato and a series of recordings on ECM.
https://en.wikipedia.org/wiki/Alexei_Lubimov

Artur Schnabel – Wikipedia

Jovan Stosic August 11, 2018

Artur Schnabel (17 April 1882 – 15 August 1951) was an Austrian classical pianist, who also composed and taught. Schnabel was known for his intellectual seriousness as a musician, avoiding pure technical bravura. Among the 20th century’s most respected and most important pianists, his playing displayed marked vitality, profundity and spirituality in the Austro-German classics, particularly the works of Beethoven and Schubert. His performances of these compositions have often been hailed as models of interpretative penetration. His best-known recording is of the complete Beethoven piano sonatas; recorded between 1932 and 1935, it is the first recording ever made of the complete cycle of 32 sonatas, leading Harold C. Schonberg to refer to Schnabel as “the man who invented Beethoven”.[1] In 2018 the Library of Congress selected it to be placed in the National Recording Registry, for its historical significance.
https://en.wikipedia.org/wiki/Artur_Schnabel

Piano Sonata No. 32 (Beethoven)

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Jovan Stosic August 11, 2018

The Piano Sonata No. 32 in C minor, Op. 111, is the last of Ludwig van Beethoven’s piano sonatas. Along with Beethoven’s 33 Variations on a waltz by Anton Diabelli, Op. 120 (1823) and his two collections of bagatelles—Opus 119 (1822) and Opus 126 (1823)—this was one of Beethoven’s last compositions for piano. The work was written between 1821 and 1822. Like other “late period” sonatas, it contains fugal elements. It was dedicated to his friend, pupil, and patron, Archduke Rudolf.
https://en.wikipedia.org/wiki/Piano_Sonata_No._32_(Beethoven)