Dotted note

Dotted notes and their equivalent durations. The curved lines, called ties, add the note values together.

In Western musical notation, a dotted note is a note with a small dot written after it. In modern practice, the first dot increases the duration of the basic note by half of its original value. This means that a dotted note is equivalent to writing the basic note tied to a note of half the value – for instance, a dotted half note is equivalent to a half note tied to a quarter note. Subsequent dots add progressively halved value, as shown in the example to the right. Though theoretically possible, a note with more than three dots is highly uncommon; only quadruple dots have been attested.

The use of a dot for augmentation of a note dates back at least to the 10th century, although the exact amount of augmentation is disputed; see Neume.

A rhythm using longer notes alternating with shorter notes (whether notated with dots or not) is sometimes called a dotted rhythm. Historical examples of music performance styles using dotted rhythms include notes inégales and swing. The precise performance of dotted rhythms can be a complex issue. Even in notation that includes dots, their performed values may be longer than the dot mathematically indicates, a practice known as over-dotting.

https://en.wikipedia.org/wiki/Dotted_note

Dotted note was last modified: April 21st, 2019 by Jovan Stosic

Bach-Werke-Verzeichnis

The Bach-Werke-Verzeichnis (BWV; Bach works catalogue) is a catalogue of compositions by Johann Sebastian Bach. It was first published in 1950, edited by Wolfgang Schmieder. The catalogue’s second edition appeared in 1990. An abbreviated version of that second edition, known as BWV2a, was published in 1998.

1126 compositions were assigned a BWV number in the 20th century. More compositions were added to the catalogue in the 21st century. The Anhang (Anh.; Annex) of the BWV lists over 200 lost, doubtful and spurious compositions.

https://en.wikipedia.org/wiki/Bach-Werke-Verzeichnis

Bach-Werke-Verzeichnis was last modified: April 21st, 2019 by Jovan Stosic

Alessandro Manzoni

Alessandro Francesco Tommaso Antonio Manzoni (Italian: [alesˈsandro manˈdzoːni]; 7 March 1785 – 22 May 1873) was an Italian poet and novelist. He is famous for the novel The Betrothed (orig. Italian: I promessi sposi) (1827), generally ranked among the masterpieces of world literature. The novel is also a symbol of the Italian Risorgimento, both for its patriotic message and because it was a fundamental milestone in the development of the modern, unified Italian language. Manzoni also sat the basis for the modern Italian language and helped creating linguistic unity throughout Italy. He was an influential proponent of Liberal Catholicismin Italy.

https://en.wikipedia.org/wiki/Alessandro_Manzoni

Alessandro Manzoni was last modified: April 20th, 2019 by Jovan Stosic

Josquin des Prez – Wikipedia

Josquin des Prez (French: [ʒɔskɛ̃ depʁe]; c. 1450/1455 – 27 August 1521), often referred to simply as Josquin, was a French composer of the Renaissance. His original name is sometimes given as Josquin Lebloitte and his later name is given under a wide variety of spellings in French, Italian, and Latin, including Iosquinus Pratensis and Iodocus a Prato. His motet Illibata Dei virgo nutrix includes an acrostic of his name, where he spelled it “Josquin des Prez”. He was the most famous European composer between Guillaume Dufay and Giovanni Pierluigi da Palestrina, and is usually considered to be the central figure of the Franco-Flemish School. Josquin is widely considered by music scholars to be the first master of the high Renaissance style of polyphonic vocal music that was emerging during his lifetime.

https://en.wikipedia.org/wiki/Josquin_des_Prez

Josquin des Prez – Wikipedia was last modified: April 20th, 2019 by Jovan Stosic

Giovanni Pierluigi da Palestrina

Giovanni Pierluigi da Palestrina (1525 – 2 February 1594) was an Italian Renaissance composer of sacred music and the best-known 16th-century representative of the Roman School of musical composition. He had a lasting influence on the development of church music, and his work is considered as the culmination of Renaissance polyphony.

https://en.wikipedia.org/wiki/Giovanni_Pierluigi_da_Palestrina

Giovanni Pierluigi da Palestrina was last modified: April 20th, 2019 by Jovan Stosic

Ordinary (liturgy)

The ordinary, in Roman Catholic and other Western Christian liturgies, refers to the part of the Eucharist or of the canonical hours that is reasonably constant without regard to the date on which the service is performed. It is contrasted to the proper, which is that part of these liturgies that varies according to the date, either representing an observance within the liturgical year, or of a particular saint or significant event, and to the common, which contains those parts that are common to an entire category of saints, such as apostles or martyrs.

The ordinary of both the Eucharist and the canonical hours does, however, admit minor variations in accordance with the seasons, such as omission of “Alleluia” in Lent and its addition in Eastertide.

These two are the only liturgical celebrations in which a distinction is made between an ordinary and other parts. It is not made in other celebrations of Christian liturgy: administration of sacraments other than the Eucharist, blessings, and other rites.

In connection with liturgy, the term “ordinary” may also refer to Ordinary Time – those parts of the liturgical year that are part neither of the Easter cycle of celebrations (Lent and Eastertide) nor of the Christmas cycle (Advent and Christmastide), periods that were once known as “season after Epiphany” and “season after Pentecost”.

In addition the term “ordinary liturgy” is used to refer to regular celebrations of Christian liturgy, excluding exceptional celebrations.

https://en.wikipedia.org/wiki/Ordinary_(liturgy)

Ordinary (liturgy) was last modified: April 20th, 2019 by Jovan Stosic