Source: Fujitsu Technical Support pages from Fujitsu Great Britain and Northern Ireland
Month: December 2019
Fujitsu Technical Support – bios microcode updater
Source: Fujitsu Technical Support pages from Fujitsu Great Britain and Northern Ireland
Porcini growth movie
Sayonara Player Official Site – Install and run GuitarPro 6 on Linux 64 Bit
Watch “Integral of exp(-x^2) | MIT 18.02SC Multivariable Calculus, Fall 2010” on YouTube
Francis Poulenc
Francis Jean Marcel Poulenc (French: [fʁɑ̃sis ʒɑ̃ maʁsɛl pulɛ̃k]; 7 January 1899 – 30 January 1963) was a French composer and pianist. His compositions include songs, solo piano works, chamber music, choral pieces, operas, ballets, and orchestral concert music. Among the best-known are the piano suite Trois mouvements perpétuels (1919), the ballet Les biches (1923), the Concert champêtre (1928) for harpsichord and orchestra, the Organ Concerto (1938), the opera Dialogues des Carmélites (1957), and the Gloria (1959) for soprano, choir and orchestra.
As the only son of a prosperous manufacturer Poulenc was expected to follow his father into the family firm, and he was not allowed to enrol at a music college. Largely self-educated musically, he studied with the pianist Ricardo Viñes, who became his mentor after the composer’s parents died. Poulenc also made the acquaintance of Erik Satie, under whose tutelage he became one of a group of young composers known collectively as Les Six. In his early works Poulenc became known for his high spirits and irreverence. During the 1930s a much more serious side to his nature emerged, particularly in the religious music he composed from 1936 onwards, which he alternated with his more light-hearted works.
In addition to composing, Poulenc was an accomplished pianist. He was particularly celebrated for his performing partnerships with the baritone Pierre Bernac (who also advised him in vocal writing) and the soprano Denise Duval, touring in Europe and America with each, and making many recordings. He was among the first composers to see the importance of the gramophone, and he recorded extensively from 1928 onwards.
In his later years, and for decades after his death, Poulenc had a reputation, particularly in his native country, as a humorous, lightweight composer, and his religious music was often overlooked. During the 21st century more attention has been given to his serious works, with many new productions of Dialogues des Carmélites and La voix humaine worldwide, and numerous live and recorded performances of his songs and choral music.
TuxGuitar
Primavera (Botticelli)
Sulla
Lucius Cornelius Sulla Felix (/ˈsʌlə/; c. 138 BC – 78 BC), known commonly as Sulla, was a Roman general and statesman and one of the canonical figures of Roman history. He had the distinction of holding the office of consul twice, as well as reviving the dictatorship. Sulla was a skillful general, achieving numerous successes in wars against different opponents, both foreign and Roman. Sulla rose to prominence during the war against the Numidian king Jugurtha, whom he captured through betrayal, although his superior Gaius Marius took credit for ending the war. He then fought successfully against Germanic tribes during the Cimbrian War, and Italic tribes during the Social War. He was even awarded the Grass Crown for his command in the latter war.
Sulla played an important role in the long political struggle between the Optimates and Populares factions at Rome. He was a leader of the former, which sought to maintain the Senatorial supremacy against the social reforms advocated by the latter, headed by Marius. In a dispute over the command of the war against Mithridates, initially awarded to Sulla by the Senate but withdrawn as a result of Marius’s intrigues, Sulla marched on Rome in an unprecedented act and defeated Marius in battle. The Populares nonetheless seized power once he left with his army to Asia. He returned victorious from the East in 82 BC, marched a second time on Rome, and crushed the Populares and their Italian allies at the Battle of the Colline Gate. He then revived the office of dictator, which had been inactive since the Second Punic War over a century before. He used his powers to purge his opponents, and reform Roman constitutional laws, in order to restore the primacy of the Senate and limit the power of the tribunes of the plebs. After a second consulship in 80 BC, he retired to private life and died shortly after.
Sulla’s military coup—ironically enabled by Marius’ military reforms that bound the army’s loyalty with the general rather than to the Republic—permanently destabilized the Roman power structure. Later leaders like Julius Caesar would follow his precedent in attaining political power through force.
Travesti (theatre)
Travesti (literally “disguised” in French) is a theatrical term referring to the portrayal of a character in an opera, play, or ballet by a performer of the opposite sex. Depending on sources, the term may be given as travesty, travesti, or en travesti. The Oxford Essential Dictionary of Foreign Terms in English explains the origin of the latter term as “pseudo-French“, although French sources from the mid-19th century have used the term, e.g. Bibliothèque musicale du Théâtre de l’opéra (1876), La revue des deux mondes (1868), and have continued the practice into the 21st century.
For social reasons, female roles were played by boys or men in many early forms of theatre, and travesti roles continued to be used in several types of context even after actresses became accepted on the stage. The popular British theatrical form of the pantomime traditionally contains a role for a “principal boy“, a breeches role played by a young woman, and also one or more pantomime dames, female comic roles played by men. Similarly, in the formerly popular genre of Victorian burlesque, there were usually one or more breeches roles.
Carmina Burana (Live from the Forbidden City) by Aida Garifullina & Toby Spence & Ludovic Tézier & Shanghai Spring Children’s Choir & Wiener Singakademie & Heinz Ferlesch & Shanghai Symphony Orchestra & Long Yu on Amazon Music
https://www.amazon.com/Orff-Carmina-Burana-Live-Forbidden/dp/B07L9G2RR7
Recorder (musical instrument)
The recorder is a woodwind musical instrument in the group known as internal duct flutes—flutes with a whistle mouthpiece, also known as fipple flutes. A recorder can be distinguished from other duct flutes by the presence of a thumb-hole for the upper hand and seven finger-holes: three for the upper hand and four for the lower. It is the most prominent duct flute in the western classical tradition.